Money is the crop.

Capitalism
Is the plantation owner
Money is the crop

My wise friend Peter’s daily haiku is the perfect way to start off a post about a recent opinion piece posted on The Lens that I link below. The writer is leaving after 5 years here and gives us his opinion on us before he hightails it to higher ground. So many people are like the opinion writer Sam and don’t even see themselves as wage slaves or ever sharecroppers living on the scraps allowed by their owner. And maybe they do know this but won’t admit to it- that they’d throw everything of real value over the side of the boat if they could paddle faster to the gold they seek.

Following that link is my response that I wrote to young Sam, who I have taken to task before (poor Sam). It’s on the site but comment section sometimes get lengthy and the newest are most easily found, so I stuck it here too.

Opinion

And my response to it:

Entertaining as usual, but I not surprised that this writer once again lays the core impulse of his youth on external issues. He did it in his job seeking column and does it again here. Sam, you write well, yet with a great deal of self-importance and either a lack of understanding about systems or for self-preservation’s sake, using a disingenuous style of discovery, neither of which is gonna fly here. Here is the thing Sam; The truth is that young white Northerners like yourself are searching for something that small Southern port towns cannot give you and have never promised to give you. Full disclosure: I was once one of you; yes I have a New Orleanian parent and generations of family here and can join in the high school naming game but I had an out. Being partially raised up North in a small suburb that was (back then) lily-white and clean as hell meant I had experienced another life. And so at one point, I bolted from here, telling my family and friends a whole bunch of reasons why I left, but the truth was, I needed more than New Orleans could offer. Simply that I needed more and knew that in places with industry and middle-class comforts, I could get them. The difference is I knew I would come back to live among family and that the pull of the diverse culture for me would be to much to block out after some years; I was right about that (after a dozen years away), I came back to stay. So i get the impulse, but own up to your decision that is being done for reasons that are not to do with New Orleans really but to do with your ambition for things not offered in towns like ours, a restlessness of youth, and discomfort with the way a colony operates – all fine by the way. To talk (on a news site read by locals) about festivals, and wild partying shows the visitor in you even after your five years. Those things never keep anyone here. You didn’t talk about the families lining the parade routes and the multi-generational celebrations within neighborhoods and the blue-shirted men who are the heart and soul of their workplace and the St. Joseph altars and the purple light at night in the sky…
I can see that both of us romanticize the place and so I’m no better, but do us one a favor – tell the complete story when you go and not just tales of your “exploits” of staying up all night, of drive-thru daiquiris and “knowing” Kermit. New Orleans bides in a state with a misanthropic governor, a non-existent regional system and has to withstand waves of new people that come to extract value and comment on our pitiful existence and, somehow, rises above it still with a great deal of grace. It has a problem with race as does every American city (including the one I grew up next to in my suburb and yours too) and it does have widespread corruption and commodity industries that do not support creativity or informality, also like other cities. Some of them have “solved” some of that by pushing out those without enough resources rather than offering a hand or by criminalizing things like homelessness. Other cities focus on attracting virtual industries that allow their workers to live in a bubble, high above the mean streets, without the regular interaction necessary when you have a physical job to go to and work at among neighbors. What has to happen to fix these systems is embedding yourself in it, fixing it by being present and by being open to the new and the old and finding what works best from either and both and talking openly about all of it. I’m not saying we have accomplished any of it, but the opportunity remains for it to come to fruition as long as we commit to being here.
I wonder if you ever really meant to stay, ever really committed yourself to the place where people like you (and me) are minorities and our talents are not that useful. Because that is what I suspect is true among your peers; you were always meant to go and so you cannot blame us for knowing that and not offering you the golden ring you seek. Good luck in your search and thank you for your kind words for us during your stay. Tell the rest that we’ll stay as long as the water can be contained, because we can’t go anywhere else.

A site devoted to tracking the goodbyes: http://fleur-de-leaving.tumblr.com/

Newcomb Pottery exhibit

Update for 2015:  Still up as an exhibit; if you haven’t seen it, I recommend it heartily. And now you can have lunch afterwards at Petit Amelie right across the street, which is the most beautiful cafe in the Quarter.

(original 2012 post)
Over a sunny lunch hour, I dragged my 1970s Crescent folding bike out from behind the lawnmower (been raining a lot lately is my only excuse) and headed to the Quarter.
After a delightful lunch at Stanley’s-well except for the wait staff’s obsession with their new iPhones, although I think a very good idea to have them for taking orders. The real issue today was the less than stellar bar staff but  I’m still loyal to this chef and his wife, so stayed for a cherry-limeade Italian soda and a bowl of their gumbo with potato salad dumped in and was glad I did.

Afterwards, I unlocked the Crescent and headed to Dumaine, between Chartres and Royal.
Madame John’s Legacy is said by some to be either the oldest or the second oldest building in the Quarter. Ursuline Convent is usually considered to be the oldest and since MJL burned in the first fire that swept through the Quarter and had to be rebuilt, I’m not sure why some fight for the oldest designation.
Okay, maybe its just wild talking mule carriage drivers that say that. I am also sure that the many expert historians could make a case for either if needed.

In any case, it has to be the plainest building in the Quarter.

I like that about it, but it must be hard for people to believe its a museum with its undecorated green front (historically accurate colors by the way) and its entrance at street level under the stairs. As locals know, the gingerbread and vibrant colors came with that nutty Victorian age. The name itself comes from a George Washington Cable story, a writer interestingly, who worked in part of the same time period as the Newcomb Pottery folks and was known for his sympathetic and sensitive portrayal of the complex culture found in New Orleans.
Once you get upstairs, a very courteous security officer at the desk gives a short overview of the fact that this exhibit is free (thanks to the Friends of the Cabildo, you’re very welcome) and that pictures are allowed.
I was the only person in there until the end when a couple of French men came in and went directly to the house descriptions rather than to the Newcomb exhibit. The exhibit is set up in 4 rooms, with one or two cases in each laid out in different periods. For those unfamiliar with Newcomb, pottery or even the name, it was a celebrated liberal arts women’s college at Tulane University. Until 2006 that is, and then scandalously to many Newcomb graduates, the management of Tulane ceased the operation of this endowed college and folded it and its endowment into the larger university. I can understand the argument that there may not be a need for a women’s college any longer but talk about kicking people when they’re down…
In any case Newcomb operated this pottery business for about 50 years really, from the late 1800s through the early 1940s. Its pottery became quite the collectors item for arts and crafts pottery enthusiasts and it is some of the loveliest work you’ll see. The detail is striking, especially since they often used local flora and fauna for their motifs.
The arts and crafts movement itself was an artistic response to the industrialization of America and also a way to allow women to work on their degree. Having grown up also in Ohio, I was already familiar with Rookwood Pottery, which was the most well known of the arts and crafts pottery-a friend in Cincinnati has Rookwood fireplace detail in her apartment, which is not that unusual to find there….
The Newcomb school allowed women to design and paint designs, but the actual pottery wheel was handled by men! ugh. I’m gonna leave that alone….

Interestingly, the most well known prolific potter at Newcomb, Joseph Meyer, was the son of a French Market vendor who sold utilitarian wares.
This modest exhibit is at the perfect venue and is well worth the trip to Dumaine.

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“Jambalaya. Cakes and pies. Costumes and masks. Laughter and song”… The life of Margie O’Dair

Actress, singer, local radio star and French Quarter personality Margie O’Dair has passed away and elicited a nice set of memories on nola.com from friends and family. I saw her perform at Le Petit and in films (one of the few authentic NOLa talents in movies about New Orleans!) and was myself a recipient of her infectious chatty self, either when I talked with her at events or outside her fav coffeehouse in years past; she always seemed to be happy and full of life. Let’s hope Le Petit honors her publicly for her steadfast support and for her many roles there.

Sunday Decadence Parade Route 2015

The parade formation time is 1:00 P.M. The parade starting time is 2:00 P.M. The parade starts near Decatur and Barracks Streets.

The parade formation time is 1:00 P.M.
The parade starting time is 2:00 P.M.
The parade starts near Decatur and Barracks Streets.

This Other New Orleans

 from Roy Guste, FQ stalwart and Marigny resident

Personally? I would have let the 10th year anniversary of Katrina slip by silently without having cause to remember those terrible days. But the numerous events in the city claiming Katrina as impetus has made me reflect on memories I would rather have left untouched. Books, movies, art openings, parades? Katrina was a terrible tragedy. You would not be grateful for what you lost or for your friends and relatives and all the 2000 other people who died. Were you here? And this city and it’s natives are NOT healed. The broken parts have been replaced but not repaired, the displaced replaced. New Orleans its culture and its people have suffered such unimaginable loss that will never be returned. I was born in, raised in and lived a life in a New Orleans that I loved with all my heart. I can only hope that when I die I will by then have learned to love this other New Orleans.