As I wait for the heat and humidity to return (yes I do like them), I also wait for the return at least one fair and two festivals: The New Orleans Bookfair, the French Quarter Festival (sorry JazzFest, you’ve lost my complete loyalty when you went past 50 bucks a day and invited Bon Jovi) and The Tennessee Williams Festival. Interestingly, the festivals fall within a few weeks of each other (TWLF at the end of March, and FQF in mid April) and both are held in the Quarter. (Well whaddya know?)
TWLF is a glorious few days of panels, plays and tours (and mint juleps, don’t forget the mint juleps) all held within the French Quarter of course. The date coincides with the birth date of TW, and the entire event ends on Sunday with a round of happy birthday to Tom. The schedule is usually packed with Southern authors, playwrights, editors and publishers, Tennessee Williams scholars and yes, even a few pompous, idle seersucker-wearin’ Southerners who truly believe they make the event when they arrive and pointedly stand in the lobby or at the front of the room in full sight and earshot of everyone. They do throw some historical perspective on class in New Orleans, so even they are a welcome sight. Sure.
It’s not all about TW, but it remains rooted in the context of his New Orleans and the Southern literary sensibility, which, in my mind, makes it very special and dynamic.
The TWLF event that most people know is the Stella contest, held on Jackson Square on Sunday afternoon with that year’s chosen Stella on the balcony auditioning her Stanleys shouting for her below. So make a point to listen in to Stanley and Stella especially cuz its free, but as literary festivals go this one is world-class and deserves more of your attention. Check out the schedule and I’ll save you a seat:
Category Archives: tennessee williams
Tennessee On Sale

Since the New Orleans heat isn’t ending anytime soon, we’re extending our Summer Ticket Special.
Book your VIP All-Access Pass by September 16 to enjoy our special rate of $395. That’s a savings of more than $100 off the regular price of $500! The All-Access Pass is your VIP ticket to all the weekend’s panels, master classes, and theatrical events. Plus, you’ll be invited to exclusive non-ticketed soirees, where you’ll mingle with the Festival’s literati over cocktails.
While we’re on the subject of future planning, we recommend booking your Festival accommodation now. Special rate rooms at our host hotel, the Hotel Monteleone, are filling up fast. Book now to receive the discounted room rate of $179 a night available for March 21 through March 25, 2012.
The story of Stanley and Stella
In restaurant form that is.
A classic New Orleans story with food as the central character. Scott Boswell, a young chef who is serious about his ongoing training, owns these restaurants with his wife Tanya. Scott is found at Stella’s working the kitchen (when he’s not traveling to restaurants to offer himself as a free apprentice) and Tanya can be seen daily at Stanley’s working the door and watching the entire place.
Both restaurants serve excellent food. Stella’s is award-winning and pretty expensive, but even with the deep pocket needed to go there,I can’t count how many times I have heard that this was the favorite meal of visitors and some locals who hit all of the top ones. Many times.
I know the chef and his wife from their stalwart support of the Crescent City Farmers Market, where I work. We opened a 4th location a few years before Katrina and they did anything they could do to support it. We’ll never forget it.
I like these folks because they are Quarter residents and real workers and committed to a scale of production, service and ambience that has made the city what it is.
(Now I have a friend who is not very happy with them and feels slighted in every way; she’s a savvy local who has loads of patience for quirks but got bad service and a worse response after, so I sorrowfully acknowledge that too. It’s the only version I have heard of that story, but she is pretty sore with them now.)
My experience has been great and now they have added a Stanley’s service bar right next door on the Square and so a tip of my cap again is in order. Espresso, pastries, ice cream and sandwiches in a beautifully designed storefront. Some work remains to do to get it all done but if you’re out at 8 am til evening in the area, go try the coffee or ice cream and then go have a eggs hollandaise poboy next door.
And revel in the culture renewing itself in the oldest part of the city, thanks to entrepreneurs like Scott and Tanya..
Study of a Friday morning
Royal Street at Esplanade.
The camera zooms in to a helmeted female, leisurely biking alongside of the parked cars. Weaving figure 8s, she squints up at the sun and nods to a few people on either sidewalk. We see her:
catch sight of the wisteria blooming on Royal in the Princess of Monaco courtyard. She pulls up on the sidewalk under it and stops to admire it.
After breakfast at Royal Blend, she takes a middle seat inside the Historic New Orleans Collection for the first Master Class of the year at the Tennessee Williams Literary Festival. At its end, she is overheard saying to an acquaintance that it was more of a panel than a class. No matter. Still useful she says firmly, 2-3 new tidbits of information. She walks politely but quickly ahead of the more mature part of the crowd through the carriageway, into the sunlight and on to the street itself.
She cuts diagonally down Royal and again diagonally across Toulouse and spies the open door at Kitchen Witch Cook Books. She stops to chat about the Festival with its owners, neighbors and friends of hers. The couple are perennial TWiLFers as well. Lively talk among the 3 for a few minutes, then the female half of the couple kisses the male half goodbye and walks quickly to the corner of Decatur with lunch in hand.The man continues to talk to our heroine (arms folded, scrunched down a bit to be at eye level with her), while the cookbook dogs settle in for a long nap on the floor. On the way out she admires the mix of everything.
A few zigzags across the French Quarter over the next few hours with some writing in a notebook and some chat. At 1 p.m. more or less, she walks to Jackson Square, past table-waiting couples giving their names to a white-shirted waiter and goes directly to the counter inside Stanley’s. She orders quickly and assuredly: small gumbo with potato salad, Italian soda with pomegranate. On either side of her, people watch her settle in. She notices them and engages both sides in conversation: first, on her right-a couple from California, married at the river last Friday. Long time visitors to the city. She thinks to herself it sounds like the woman married the city rather than the man.
Next, at her left is a Colorado couple in for “March Madness” which sounds odd to her ears. All discuss New Orleans, and interestingly both women ask our heroine what “she does”. She answers politely but does not ask them what they do. Instead she asks them what they want to do while here and offers suggestions.
The waiter asks her if she likes the gumbo. She wonders why.
Book bag now in the basket, she swings a leg over her bicycle as it begins to roll down Chartres. The camera pans over the entire Square, which is seen with activity and life and music in every corner; at the end of the shot, she and her bicycle are indistinguishable from the rest.
The End. No credits.
Tennessee is back
It is upon us. One of my favorite weekends is here- the Tennessee Williams Literary Festival weekend. Starting tonight with a world premiere of 3 one-act plays from our favorite author, then with ticket sales from Thursday through Sunday at the Royal Sonesta Hotel.
Here is a Tennessee Williams haiku:
Master classes and
literary panels til
Stanley shouts Stella
Updating live from TwilLf headquarters all weekend…
Movies, 3
The Historic New Orleans Collection presents three screenings in conjunction with the exhibition Drawn to Life: Al Hirschfeld and the Theater of Tennessee Williams.
Sunday, March 13, 2 p.m.
The Line King: The Al Hirschfeld Story
An Academy Award-nominated documentary by Susan Warms Dryfoos, The Line King celebrates Hirschfeld’s many years of work for the New York Times, where his drawings were a centerpiece of the Sunday Arts section. With appearances by Lauren Bacall, Robert Goulet, and many others, The Line King is a fascinating portrait of the artist as a cultural icon. (1996; 86 minutes; not rated)
The exhibition will be open 12:30–4:30 p.m.
Sunday, March 20, 2 p.m.
The Fugitive Kind
Sidney Lumet’s stirring drama The Fugitive Kind (based on Tennessee Williams’s play Orpheus Descending) features Marlon Brando as a drifter who wanders into a small town in Mississippi and falls into a tragic love affair. Following the screening, Mark Cave, curator of manuscripts/oral historian at The Collection and co-curator of Drawn to Life, will discuss the film and the display. (1960; 120 minutes; not rated)
The exhibition will be open 12:30–4:30 p.m.
Tuesday, March 22, 6:30 p.m.
Journalist and anchor Eric Paulsen’s 1981 interview with Tennessee Williams
Noted news anchor Eric Paulsen conducted the final in-depth broadcast interview with Tennessee Williams in 1981, roughly two years before the playwright’s death. After the screening, Paulsen will discuss the interview and take questions from the audience. (1981; 47 minutes; not rated)
The exhibition will be open 9:30 a.m.–8 p.m.
Tennessee in New Orleans
One of the most enjoyable weekends for the French Quarter is almost upon us. The Tennessee Williams Literary Festival is a treat for readers, writers, theater-goers, movie buffs, New Orleans historians, mint julep aficionados, good food and talk enthusiasts, and public spectacle lovers (see Stella and Stanley contest).
I have been attending and/or volunteering for over 10 years and find that I add 3-4 useful things to my brain every year, while also enjoying the camaraderie of being with artists of every stripe in one lovely, walkable area of the city.
The headquarters will be at the Royal Sonesta this year with events scattered throughout the old city as always. I am glad to see the Williams Research Center on the venue list; more people need to get through those doors to see their exhibits.
I think the best deal is the weekend literary panel pass, but this year I have added the Southern Rep’s world premiere of 3 one-act plays from Mr. Williams (introduced by Zoe Caldwell), and a master class on Friday morning. Take a sick day to get your artistic health renewed….
http://www.tennesseewilliams.net/
Just look at that face; How can you not want to find at least one thing to attend this year and/or to simply donate to support our brilliant arts community while honoring the legacy of our favorite adopted son?






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