Entrepreneurial Jackson Square

The cultural and political significance of the square has already been well researched and widely published, all of it illustrating its role over the 300+ year history of New Orleans. Many writers have highlighted its colonial role as a military parade grounds, and others have focused on its development into its current role as the chief tourist mecca for the more than 10 million visitors the city hosts annually. Few writers however, focus on the individuals that have and continue to shape this square, doing so as builders, philanthropists, artists, activists, residents, and more.

Since the archives of written pieces on that history exists, this series of articles will instead focus on how entrepreneurs have used the Square since 1850. That date was chosen because it is when the Almonaster/Pontalba family added its final (of many previous) contributions to the Square with the iconic 4-story red brick buildings that still anchor the upper (west) and lower (east) sides of the Square. The buildings built by Micaela Almonaster Pontalba, a native daughter of the city who sailed back to France after they were completed never to return, set the scale and rhythm of how the Square conducts business to this very day.

Baroness Pontalba herself will be one of the entrepreneurs that this series will celebrate, as her efforts are a perfect prologue for the modern uses of the Square. Her half-decade long development of the two Pontalba buildings will center this story, as will the later generations of the Pontalba family who could not withstand the late 19th century and early 20th century abandonment of the square by the city’s elite. Luckily for them, others stepped in once again to keep the Square a democratic and dynamic place.

Even though the buildings remain the most significant contributor to how commerce is conducted in these 2.5 acres, the Baroness’ original plan for their use has to be considered an almost total failure. Instead, in true New Orleans fashion, the Square’s users adapted them through philanthropic intervention, city, state and federal oversight, and the sheer vehemence of New Orleanians who saw their value. These interventions happened at various times over the last 170 years, often at the last possible moment before demolition would have invariably led to the loss of the Square’s daily activity.

Counterculture exhibit and talk at HNOC on September 7

The exhibition explores the lives and work of Gypsy Lou and Jon Webb through objects from Blair’s Collection as well as paintings by Rockmore (including his widely recognized “Homage to the French Quarter”) and photographs by Johnny Donnels. The display also includes copies of each title in Loujon’s small but celebrated catalogue, while illuminating the Webbs’ relationships with other self-proclaimed outsiders—the people, the places and the environment that inspired the creation of Loujon Press.

“The exhibition offers a glimpse into the vibrant artistic life of the French Quarter in the early ‘60s and introduces visitors not only to the aesthetic of that time but to the fascinating people that created it.” said Cave

THNOC » Presentation featuring Edwin J. Blair, JoAnn Clevenger, and Neeli Cherkovski.