A Closer Walk

See what happens when good people get together over music? They come up with something like this, a site dedicated to listing the musical history of our city, place by place.

Jazz, big band, gospel, soul, brass bands, funk, blues, second-lines, hip-hop, bounce, r&b, pop, zydeco, rock, classical all have substantial roots here in the Crescent City. This site will do more than just set tourists to a wandering around; as a visual map, it can help save some of these places and to connect the dots about the development of some of America’s greatest art forms.

The A Closer Walk (ACW) project and site is presented by WWOZ New Orleans and produced by five partners: Bent Media, e/Prime Media, the Ponderosa Stomp Foundation, Randy Fertel and WWOZ.

https://acloserwalknola.com/

Bayou Maharajah

I saw Bayou Maharajah when it came out: I enjoyed it, was moved by it at moments and remain pleased to have been a Kickstarter backer of this project. Back when I was a teenager in the French Quarter, I had the great luck of making friends with smart and wise older people who said to me, “you gotta hear Booker” and “you gotta hear Lil Queenie” and “you gotta hear the Nevilles” and so on…and took me to places to hear it all, see it all, to explode my Midwestern head apart. Booker in particular personified and played the song of New Orleans to me, which was sophisticated and street at the same time, with every melody and rhythm ever played by man inserted and some nutty talk before and after for good measure. GO see this movie when it comes to your town, buy it online if possible and know why we say he was the “the best black, gay, one-eyed junkie piano genius New Orleans has ever produced”. Actually, you could just say the best piano genius New Orleans has ever produced, and that’s saying something. As our own Leigh Harris sings it beautifully on the tribute album on “Providence Provides”: “Ray Charles in his left hand, Beethoven in his right…”
https://itunes.apple.com/…/patchwork-tribute-to-…/id41748853

Norwegian Seamen’s Church becomes Jazz Church

Finally some good news in the city! Their annual Scandinavian Festival is a delight; I’m certainly going to try to get to more events here to support this idea.

(The coming year will be an important test of the new concept. If, by mid-2018, it becomes clear that the newly configured church and cultural center isn’t viable, the local board will be released from its commitment and the Church of Norway will put the church up for sale.)

This past summer, it looked like the Norwegian Seamen’s Church would be shuttered for good. If all goes as planned, the New Orleans church will officially become the Scandinavian Jazz Church on Feb. 1.

According to the plan, the church complex will serve as a home base for people of Scandinavian heritage. But it also will reach out to New Orleanians of all heritages by hosting concerts and expanding upon the church’s rich history with the city’s jazz community.

Jazz Church

2016 French Quarter & Treme Holiday Concerts and Jackson Square Caroling deets

Caroling Sunday, December 18 Jackson Square
Sponsored by Patio Planters since 1946

Candles and song sheets provided. Gates open at 6:30 pm and Caroling begins promptly at 7pm. Free and open to the public.

St. Louis Cathedral Concerts
The St. Louis Cathedral concerts, produced by French Quarter Festivals, Inc. as part of Christmas New Orleans Style, generally run for an hour, from 6:00 to 7:00 p.m. The concerts are open to the public and donations are welcome to help fund the cost of the series.
November 17, 2016 (6:30PM) The Jones Sisters (Gospel)
November 20, 2016 Jean-Baptiste Monnot (Classical)
December 1, 2016 Joe Lastie’s Family Gospel (Gospel)
December 4, 2016 Charmaine Neville (Jazz/R & B)
December 5, 2016 Rachel Van Voorhees (Harp/Classical)
December 6, 2016 Sunpie and the Louisiana Sunspots (Zydeco)
December 8, 2016 Greater St. Stephen Mass (Choir Gospel)
December 11, 2016 Tim Laughlin (Jazz)
December 12, 2016 Alexis & the Samurai w/ Guests (Pop/Folk)
December 13, 2016 Irma Thomas Sings Gospel (Gospel)
December 14, 2016 Tony Green and Gypsy Jazz (Gypsy Jazz)
December 15, 2016 Christmas Organ Spectacular w/ Emmanuel Arakélian (Classical)
December 18, 2016 (5:30) St. Louis Cathedral Annual Concert

St. Augustine Catholic Church Concerts
St Augustine is the oldest African-American Catholic church in the United States and is located at 1210 Gov. Nicholls Street in the historic Treme neighborhood. Free secure parking is available in the church’s parking lot – enter from Henriette Delille Street.

The St. Augustine Church holiday concerts, produced by French Quarter Festivals, Inc. as part of Christmas New Orleans Style, run for an hour, from 4:00 to 5:00 p.m. The concerts are free and open to the public and donations are welcome to help fund the cost of the series.
December 3, 2016 James Andrews(Jazz)
December 10, 2016 Shades of Praise (Gospel)
December 17, 2016 Original Tuxedo Jazz Band

Armstrong Park: 2016 Jazz in the Park schedule

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$5 per day Satchmo Fest – Saturday schedule 2016

What is the cost to attend Satchmo SummerFest?
Daily admission is $5 (children 12 and under are free). Wristbands will be provided at the gates to allow festival-goers the option of coming and going throughout each day.

 

Fleurty Girl Back o’ Town Stage

Start End Performer
11:30 12:15 NOLA Jitterbugs Traditional Jazz Dance Lesson
12:15 01:00 Dance Lesson
01:00 02:15 Chance Bushman & The Ibervillianaires
03:00 03:15 Dance Lesson
03:30 04:30 Steve Pistorius and Frien

 Cornet Restaurant Red Beans and Ricely Yours

MAC-Notes on the elephant

Excellent input from one of the city’s great clarinetists, himself a transplant albeit decades ago. So as he says (and represents) it is not that all comers are unwelcome. It is that it is vital and brave to truly comprehend what it means to support the complex dynamics of the formal and informal cultural activity that has held our place together. And that actively working for useful and manageable ordinances and zoning that discourage a “monocrop” society has to be everyone’s goal.

Let’s get serious about this damn elephant. He’s being too well-fed by our civic leadership, which continues to march toward a goal of 13 million annual visitors by 2018. Though they are beginning to listen to the bearers of their culture, they mostly try to measure our contributions in terms of “cultural economy.” And, given their attentions to the tourism lobby and neighborhood associations, it seems they still regard us more as an extension of the service industry than part of our city’s lifeblood. The resultant clashes between policy and organic culture are exacerbated by ham-handed and selective enforcement of our sound ordinance and an unwieldy process for amending the Comprehensive Zoning Order and “Plan for the 21st Century.”

Those of us who are truly committed to our community’s cultural vitality need dialogues that reflect appropriate ambivalence from all stakeholders and respect the issue’s complex dynamics.

Source: MAC-Notes: Everyone Sees the Elephant. Now What? | NolaVie – Life and Culture in New Orleans

and this truly accurate response:

I moved from Uptown in 2001 to Burgundy Street in the Marigny. My immediate neighbors consisted of a nice (African-American) family in the double on one side and a Honduran woman, Miss Consuela, who barely spoke English on the other side. Across the street was a corner bar, a Section 8 double, and a long-time resident (Caucasion) who works at a hospital. An old man on the other corner lived behind his long-closed, 1930(ish) gas station. We were a diverse bunch to be sure. But we all knew each other. We all helped each other out. We were neighbors. After the storm, the only ones of us left were us, the bar, the hospital worker and Miss Consuela. Then someone bought the double next door. They completely rennovated it, flipped it and sold it as 2 condos to some really wonderful people who live there now. The Secton 8 house was sold after a brief stint as a crack house. It too was sold and rennovated. It is now a long-term rental. An expensive one. Miss Consuela fell ill and died. Her home was sold at a tax auction to a doctor who took it down to the studs, added a camel back, renovated the entire thing and hasn’t spent a single night there. It is an illegal short-term rental. Less than 3 feet from our home. It sleeps 10. At least that is what the Airbnb ad says. Sometimes the people are very nice. We try to engage all of them. Sometimes they are gaping assholes. The group two weeks ago who were blaring bad disco music at 4:30 in the morning into the top of the line outdoor sound system come to mind. All this while the doctor takes his homestead exemption on this place. We have complained to City Hall. They don’t care. I could go on about the slumlord rental on the block that smells like ass, and rents for $1275. It was $500 pre-K and housed a loveable ‘OZ dj who can no longer afford to live here. Or the house next door to that, which housed a local band, then a young family, and finally turned Airbnb. Or the hordes of bicycle tourists who block the street like a particularly large school of minnows and shout “car!” whenever an automobile approaches, all while gawking at the neighborhood like we are in some kind of bizzaro, New Orleans, performance piece. Don’t get me wrong. I am happy that these buildings around me are being “rebuilt, renewed and restored”. I just wish we could find a balance that allows us to look toward the future without completely losing the past. Sorry this is so long. But it does feel better to write it.