A Red Light Look at New Orleans History

Wednesday: THNOC librarian & curator Pamela Arceneaux, sheds light on the history of prostitution with library presentation in Gentilly
Wednesday, May 21 • 6 p.m.
Norman Mayer Library
3001 Gentilly Boulevard
Admission is free.

Pamela Arceneaux, THNOC senior librarian/rare books curator, will present a lively history of prostitution in New Orleans, including references to the “correctional” girls and the casket girls, quadroon balls and the system of plaçage, red light areas prior to Storyville, prominent personalities, the Blue Books, jazz, and the demise of Storyville.
She will discuss the popular topic again on Wednesday, May 28, at 6 p.m. at the Algiers Regional Library, 3014 Holiday Drive.

Our Grand Duchess addresses noise and the variety of goods in the village

The ebb and flow of one’s life surely depends on how the people in it come and go; sometimes they arrive with a violently flung open door (BANG!) and then others come as a soft voice at your shoulder, amusedly calling your name as you stand staring with mouth unfortunately open at how the windows along Pirate’s Alley can be viewed now because of the redone landscaping in St. Anthony’s garden at the back of the Cathedral.

The Grand Duchess came back into my life in the second way (of course) and confessed she had left her carriage (really her car, but she calls all cars carriages) when she noticed me standing at Orleans and Royal. Her car was still waiting for her, so she asked me to call on her in an hour or so as “there was something she wanted to discuss with me.”

After an hour exactly, I made my way to her house and was shooed in efficiently yet warmly by Miss Maude and told to wait in the usual room. I poured a lemon ginger drink from the ever standing pitcher and looked down at her lovely courtyard garden which, in the old style was gloriously tangled and full of colors and smells even from the second floor. One of her many cats joined me at the open window, so was rewarded with a head scratch; this one was named either Sally Rand or Germanicus.

She bade me to sit and asked me to share what news I had about the “staff on Loyola Avenue” and their recent activities concerning noise ordinances and shops selling t-shirts. I shared what I knew, adding any asides that I felt would help her decrees, as previous experience told me she appreciated any added opinion. After listening carefully and asking a series of clarifying questions, she asked me to write and share this with her people:
As Grand Duchess of the Vieux Carre, we say thusly: We applaud the staff on Loyola’s attention to the matter of increased disruption of the quality of life and quality of commerce of many of our residents, well-respected small businesses and buskers. It is true that we have noticed an increased lack of civility among some owners of amplified clubs, as well as some owners of shops that offer sweet gifts to commemorate visits to our village. Some have extended their sound or visual range to overtake that of their neighbor, reducing the opportunity for an indiscreet aside or quiet proposition among walkers which is unfortunate for those in search of such an opportunity. This should be addressed to ensure that over amplified sound is measured and curbed by constables of all orders and those in uniform or deputized by them should be allowed to unplug the offender after measuring the noise at the door. Noise-meaning that which constantly interrupts or overtakes other sound-is the enemy of the musically inclined after all and lovely sounds should not be eclipsed by turning up the volume higher than one’s neighbor. However, those that make their way through our streets offering performance without amplification should be allowed to do so up until the last seating of our area’s fine dining restaurants. (DW note: by my estimation, that makes it between 10-12 midnight on most nights). As noticed in earlier decrees, the idea of allowing buskers to roam is vital, but it is also important that no busker takes control of any spot for more than 8 hours at one time.
As to the proliferation of shops, it is true that for those of us hurrying to market, it is difficult to get there without being tangled in metal, fabric or wooden extensions often spilling to the banquette. We do applaud the staff’s attention to this matter, but it also must be acknowledged that those of us residing in the village proper do welcome the ability to choose from among so many establishments and should in no way be seen as willing to lose that charm and availability. Therefore, we caution the staff to patiently curate the tout ensemble of our village and to restrain any overcorrection. We will also caution the staff to deal fairly with ALL of the shops that offer visitors the chance to purchase goods that offer our name emblazoned across one’s bodice or bustle among other delightful tokens, and not only to argue against those that have been singled out previously, no matter how regularly some point in one direction. We might recommend that the staff employ weekend eyes to gauge the ongoing issues in real time; we are sure that many would be happy to wield clipboard and camera capturing problem areas, adding resident/shop owner councils on each street to oversee these practices. The staff and their representatives might also consider adding incentives for shop owners to bring more varied goods to the village and awards for those who incorporate the most agreeable entrances and facades. It is important to us that we continue to welcome those who are willing to risk their purse to add value to the village, so any change that must be made must be made evenly and with restraint.

Crawfish season is here…

So I decided to pay homage with this clip, filmed in the Quarter on the 1000 block of Royal Street in gorgeous black and white. Elvis does a good job in this film, as do Carolyn Jones and Walter Matthau. This opening certainly sets the scene for the Quarter being a lead role in the movie too:

Sean Friloux, Royal Street artist

The artist that shows and sells his work on the St. Louis Cathedral (St. Anthony’s garden) fence at Royal Street made this beautiful short piece. His work was introduced to us courtesy of New Orleans photographer, author, restaurant family (Antoine’s of course) Roy Guste who is adding one of Sean’s pieces into his new book commemorating Antoine’s 175 years on St. Louis Street.

Traffic Study to Look at French Quarter Flows

Hmmm. Certainly seems useful to do a traffic study, but I wonder if they can also specifically spend some time monitoring truck traffic in certain quadrants, like the part of Chartres between Toulouse and the Square where the added restaurants seem to be taking their toll on that streetscape.
I also wonder if the city will ever undertake a study of flagrant garbage bin scofflaws, meaning those who leave their dumpsters out 24/7 and/or block constantly sidewalks with them or rarely clean the area in which they sit?

Traffic Study to Look at French Quarter Flows | NOLA DEFENDER.

VCPORA, New Orleans city attorney spar over Bourbon Street noise ordinance

If you can’t tell, the lawyers are in control now. That is rarely the right path to end up with common sense solutions:

VCPORA, New Orleans city attorney spar over Bourbon Street noise ordinance | NOLA.com.

And thanks to The Lens for adding this link to more information on decibel levels and to an explanation at the TeePee as to how noise does not increase linearly but exponentially. “For instance, sound at 80 decibels is actually twice as loud as those at 70 decibels, just as 60 decibels would be half as loud as 70, and 90 decibels would be four times as loud as 70.”
Link to sound levels

Artist colony in our midst

I think there is a lot to be discovered about self organization, itinerant communities, illegal and informal activities and much more from the Jackson Square community. There is much good and maybe some bad to this place no doubt, and the more that city officials, police and nearby businesses and residents understand it and specifically understand how the space works (or doesn’t) with new groups taking control at different times of day and events, the better.
Jackson Square artists