Community Architect: The Future of Public Markets and the Case of the Lexington Market in Baltimore

A very good description and some simple rules for revitalizing public shed markets written by a Baltimore architect. He focuses his attention on the Lexington Market (which I have visited when in the area for farmers market business) that he seems to work near enough to observe regularly. I remember on my visits being impressed by the vitality of this market even though the quality and quantity of healthy goods seemed low. I actually still think about this market regularly, because it was a particular kind of anachronism that reminded me of visiting the old West Side Market in Cleveland in the 1960s/1970s; in other words, it still seems exactly like those dark and chaotic largely forgotten shed markets that were sprinkled throughout many American cities back in the mid 20th century. He points out that Lexington already has regular shoppers and acts as a food hub in what is largely a food desert, which is a significant point. It’s interesting that he seems to think that finding ways to attract tourists is one key to making this market really work, which may or may not be true in my estimation. I’ll leave that discussion for another time and post.

In any case, as pointed out by the author, the attention paid recently to many of these markets has often led to one of two outcomes: either successfully engineered spaces full of event activities and local color/products, filled regularly with proud residents on the weekends and eager tourists during the week, OR badly re-designed ones with ridiculous lighting and signage telling us of their authenticity with wide empty aisles and too much of one thing. Unfortunately, the French Market (especially after its hot mess of recent equally overdone and underdone renovations) is more of the second with chunks of the Lexington Market’s structural and place-based issues to solve, but I do believe that it is due for its renaissance. However, it has always seemed to me that the job of French Market director may require someone with the letter “S” on his or her undershirt. Last time I checked, I believe that the job included: maintaining a significant number of historical buildings for the city,  being landlord to the uptown side of the Pontalba building/apartments, overseeing the anarchistic artist and reader colony space in Jackson Square, recruiting and serving the permanent storefront tenants from Jackson Square to Ursuline, and creating and managing events constantly. Ad oh yeah- somehow revitalize the 2 open shed markets at the Barracks end so that locals will come too. Honestly, having watched the last few eras of FM leadership closely, it seems that these open sheds take up 75% of the time and goodwill in that job, while supplying little of the income. What must be understood by the FM board and city officials is that these sheds are now difficult to access for most downtown residents, especially with no quality public transportation. And now with the management of the linear Crescent Park also on their to-do list, I’d say that the sheds and the park are one big problem all on their own, but also the most likely path to winning the hearts and minds of locals and savvy tourists too.

In addition, the massive size and varied uses of the French Market district presents a very different set of spatial problems and possible solutions than what was possible for the small D.C. Eastern or even its slightly more appropriate D.C. sister, the newly fabulous Union Market or any number of others that I or others have visited in the last two decades. The bad history of the last 40 years at the French Market has also meant that people actually have a negative perception, not just a neutral perception of this space and working on those sheds a little at a time is too little to change that to positive. The very serious lack of nearby farm production also needs to be acknowledged and means that simply signaling that local goods are welcome to be sold will not be enough to have enough on hand. And lastly, what to do with the dozens and dozens of vendors who exist there presently? Incentivize a product change or focus on encouraging them to move on to storefronts to make way for new ideas?

One can compare the French Market to the St. Roch Market to see how different their outcomes and the work to make it so. And yet, even with the small footprint and limited uses needed for St. Roch, look how many millions the city had to spend and how much time it has taken to just get to someone leasing it, much less actually successfully filling it with dynamic retail operator, and still, no grocery or low-income component.

from the original post:

Consultants, of course, also aim at the currently totally un-yuppified food selections, in which each baker (there are seven) has the same yellow cakes smothered in colorful oily frostings, and where there is more fried food than exotic fruit. But here, too, lingers the danger of eliminating the authentic Baltimore grit, with specialties like pigs’ feet, freshly cut veal liver (“baby beef”) that can only be had here or in some of the Asian supermarkets out in the County. Most famously and maybe most Baltimore, of course, is Faidley’s, with its seafood, oysters and crabs and, most importantly, the Baltimore crab-cakes, which are shipped on demand nationwide.

Discussions about the Lexington Market quickly touch nerves, depending on with whom one speaks, because the market serves various needs and maybe evokes even more aspirations. There are those who love its gruff authenticity and old fashioned food choices, there are those who use the market for their daily shopping because adjacent neighborhoods to the west have scarcely any stores, and then there is a growing number of people who think that the market surely doesn’t live up to its potential and needs a major re-set. Community Architect: The Future of Public Markets and the Case of the Lexington Market in Baltimore.

Mardi Gras Costume House

Link to a great picture on nola.com this week of my pal Tracy Thomson standing in her studio. Her gorgeous hats, potholders, bags (and more) are available daily at Dutch Alley Cooperative, a local artist cooperative found in the French Quarter (Dumaine at the river). The rumor is that if you check in with her early enough in the year, you might just be able to get on her list to purchase a unique Mardi Gras costume designed and hand sewn by Tracy herself. Tracy has also vended at JazzFest in the Contemporary Crafts area for the last 20 years and was one of my premier Festivus vendors for the five years that we ran that market in the mid 2000s.

Mardi Gras Costume House | NOLA.com.

kabukihats.com

Garbage in, garbage out: ‘Grand vision’ for French Market junks tradition | The Lens

Local writer CW Cannon defends the vitality of the current vendor base and questions the new French Market director’s understanding of tradition and desired products.

Story | The Lens.

Panic In The Streets on July 12

DOUBLE FEATURE of both Panic in the Streets and Cool Hand Luke Friday, July 12, outdoors on the grounds of the U.S. Mint.

We will start with Panic in the Streets at 8:00 p.m., followed by a ten-minute intermission, and then Cool Hand Luke will start around 9:45 p.m.)

Admission is $5 for NOFS members, members of the Louisiana Museum Foundation, and members of the Friends of the Cabildo. General admission tickets are $7. (The price will be the same whether you see one film or both.)

RESCHEDULED: Outdoor Screening of COOL HAND LUKE at the Old U.S. Mint // New Orleans Film Society

The screening of Cool Hand Luke that was scheduled for this weekend will be rescheduled for later this summer.

Outdoor Screening of COOL HAND LUKE at the Old U.S. Mint // New Orleans Film Society.

Notes from meeting with city about Jackson Square issues

Jackson Square meeting

Scott Hutcheson, Asante Salaam, and city attorney had a second meeting with folks interested in maintaining Jackson Square as a dynamic public space.
Artist, musician and psychic spokespeople were in attendance and spoke convincingly about their wish for a viable community space in Jackson Square. Here are my notes from the meeting: in the notes below, the statements were made by the artists, musicians and readers that attended the meeting. SH is Scott Hutcheson, Mayor’s Advisor on Cultural Economy and is the city staff person who responded during meeting, and his responses are in italics. Overall, it was a very amiable meeting.

SH has talked to Farmers Market Corporation (FMC)
FMC security may start patrolling the Square
City can do in-depth training with FMC security personnel
FMC has 11 security personnel, 3 full-time, the rest part-time

Psychic org: fine with that, but no one will still have permit oversight.

Recently, readers leaving set-ups 24 hours a day.

Vendors illegally chalking their spaces to hold, including artists.

Out of control artists ignoring rules and entreaties from peers to follow rules; video on YouTube of artist on Square passed out with needle in arm.

Can licenses be in jeopardy when they ticket?

NOPD has said in past that they will not enforce the rules, they have just woken people up and told them to stay awake.

SH said they ticketed Thursday before FQF

Ticket should go to revenue dept, rather than municipal court to relate the infractions back to license.

All artists should have to show licenses. Some scofflaws leave a homeless person with their stuff so it is “attended”.

Guidelines before Katrina were clear and enforceable, need to go back to that.

Pre-Katrina: Set up more than an hour was unattended, the setup would be moved by NOPD or other readers or artists.

SH: not sure it’s legal to do that, have to be clear about codified law versus standards of conduct

Illegal activity is widespread and unenforced.

Calling emergency services is almost impossible as they want street addresses.

Extra space when big events for artists? State museum says yes, but FQF says no.

Want to talk to French Market about using more space.

Dutch Alley, used to be an open spot, street entertainers still get run off.

SH: FMC asks street performers only to “register”, although it says “permit” on it.

SH: No such thing as a street performer permit in the city.

dba licenses, can anything be done? (No says city attorney)

Enforce before 6 pm on St. Peter and St. Ann that readers cannot hold spaces.

FMC security already has oversight over Jackson Square: can manage city owned property.

FMC demanded FMC permit for Decatur reader

Illegal vending happens on Jackson Square and artists/readers are powerless to stop.

Vieux Carre church sets up table and does ceremonies illegally.

Segways in the square are problem.

Stanchions-have a hard time getting them unlocked in emergencies and locked to stop cars and trucks.

Slope of the entryways is problematic for older people, needs to be textured.

Loading zone tickets are given to musicians and artists even though they have been told they can use them to unload and load.

NOPD says artists and musicians can unload in the “curve” but only informally.

Barkers are working illegally, overwhelming honest vendors.

Street performers with amplifiers are a problem.

Television from museum plays constantly and loudly.

Great rummage sale and Boo-tique day

Get to the edge of the French Market at Barracks to get your one of a kind Hallowe’en costume pieces from an amazing array of local artists. 17 years of dressing New Orleans for tricking and treating and it doesn’t look like its aged at all! Led by Cree McCree, the queen of flea (markets) as well as our region’s daring nutria fashionista paired with her fellow royalty, Tracy Thomson, milliner to well, everyone in the city, you’ll find all of your favorites artists here today from 12-6.
They’re set up in the place next to the flea market, right between Louisiana Pizza Factory and Tyler’s Produce, along the barricade.
After you see and buy there, get to Barracks and Chartres for the neighbors usual twice a year “yard” sale. Amazing finds as always from these professional pickers (and Lakin tells me that they will also be out tomorrow with more stuff from the warehouse, so stop by both days…)
All with a drink in your hand and the sun on your back….