Communist agitation, labor agitation, civil rights agitation, pointless intellectual conversation and tuneless playing of guitars: The July 29, 1964 bust of The Quorum Club

On Wednesday night, July 29, 1964, the police raided the Quorum. Seventy-three persons were arrested and charged with “disturbing the peace”: playing guitars out of tune, engaging in conversations that had no logical end or conclusion, etc. Among the 73 were the tenants in the apartments upstairs and in the slave quarter apartment and some curious citizens who had come out to hear Babe Stovall perform his country blues and spirituals in the coffee house that night.

Recollections about The Quorum Club:
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(From The Golden Triangle: An Interview with James Nolan
by Dennis Formento, found on Exquisite Corpse website):
DF: What was the clientele of the Quorum Club like?
JN: The Quorum was a coffeehouse, didn’t serve alcohol, and so was a little straighter and more politically oriented, aligned with the civil rights groups. John Beecher, an elderly Southern poet, an important figure in the civil rights movement, used to show up. There was a church next door, and I’m not sure of the exact relationship between the coffeehouse and the church, but some liberal protestant churches were setting up these coffeehouses as meeting places for blacks and whites in the South.
The Quorum Club had a tiny stage where folk singers, jazz musicians, and poets performed, and tables where people played chess. The mood was funky and mellow, which is why we were so shocked when the police raided. The formal charges–I still remember verbatim–were “the tuneless strumming of guitars and pointless intellectual conversation.” Of course, one of the main activities there was black voter registration, which is what brought the heat down.
At the Quorum there was a moral purpose to change society. The Discussion Group had more artists on Jackson Square, and the Quorum people were more social activists. You have to remember we were in the middle of a social revolution, and in 1968 Martin Luther King was assassinated, Robert Kennedy was assassinated, even Andy Warhol was shot. Closer to home, that year my parents committed me to St. Vincent DePaul hospital because I was coming down to the Quarter, had long hair, was smoking grass, and I think some neighbor saw me holding hands with a black nun at a civil rights demonstration. It was war.

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(from Trembling Pillow Press website):

Lee Meitzen Grue began reading her poetry at The Quorum Club during the early sixties. There she met musicians, Eluard Burt and Maurice Martinez (band leader Marty Most). Burt had just come back to New Orleans from San Francisco where he had been influenced by the Beats.The Quorum Club was the first non segregated coffee house in the South. At that time it would have been unlikely for Lee Grue to meet and work with African American musicians any place else.

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(Interview by Dennis Formento of Robert Cass, quintessential “40s bohemian. Interview first published in Mesechabe: The Journal of Surregionalism):

M: It throws a new light on another story about the old Quorum Club at 611 Esplanade. You remember it?

BC: I ran it during its last period. They just gave me a certain amount to make the coffee. I showed movies in there too.

M: Were you around for the Great Quorum Club Raid in August 1964? People were playing music, it was interracial, and the police came in, arrested seventy-five people and took them all to court. The charges included “communist agitation, labor agitation, civil rights agitation, pointless intellectual conversation and tuneless playing of guitars.” The judge threw it out.

The Quorum Club Documentary

Counterculture exhibit and talk at HNOC on September 7

The exhibition explores the lives and work of Gypsy Lou and Jon Webb through objects from Blair’s Collection as well as paintings by Rockmore (including his widely recognized “Homage to the French Quarter”) and photographs by Johnny Donnels. The display also includes copies of each title in Loujon’s small but celebrated catalogue, while illuminating the Webbs’ relationships with other self-proclaimed outsiders—the people, the places and the environment that inspired the creation of Loujon Press.

“The exhibition offers a glimpse into the vibrant artistic life of the French Quarter in the early ‘60s and introduces visitors not only to the aesthetic of that time but to the fascinating people that created it.” said Cave

THNOC » Presentation featuring Edwin J. Blair, JoAnn Clevenger, and Neeli Cherkovski.

Courtyard Concerts-Fall 2013 at HNOC

Fall 2013 Series
Friday, September 20 
with Brass-A-Holics and cocktails provided by Criollo
Friday, October 18 with Kristin Diable and cocktails provided by Bayou Rum
Friday November 15 with Hot Club of New Orleans and cocktails provided by Vino Wholesale
Doors open at 5:30 p.m. • Music: 6–8 p.m.
In the event of rain, check www.hnoc.org for updates.

Admission is $10, free for THNOC members,  and includes three complimentary beverages. Guests must be 21 or older to enter.

 

Concerts-website-nosponsor

French Quarter for foodies: A stroll through four culinary shops | NOLA.com

Love this story; four shops in the Quarter to find on your own. I know three of them – and I can highly vouch for them – and I’ll be checking out the 4th one (the spice and tea store) very soon.

 

French Quarter for foodies: A stroll through four culinary shops | NOLA.com.

Iberville demolition marks end of an era | NewOrleans | The Advocate — Baton Rouge, LA

An absorbing piece by Katy Reckdahl about the demolition of the public housing.

As usual, Reckdahl has humanized a complex story and showed how community is the heartbeat of New Orleans. The story of the demolition of public housing since the Federal levee breaks is not about the need for “new” houses, but about the commercialization and gentrification of our neighborhoods in the hopes of attracting younger, white residents and excluding those people of color who live there now. Now that Iberville has now been turned over to the developers, it will severely restrict the ability of the workers of the Quarter to reach their jobs easily.  I believe that the city has had the destruction of Iberville as one of their main goals for years and have finally desensitized most residents enough about developers greed to actually get it started now.

I am in agreement with many for the need to redesign the public housing to the streetscape by reducing the number and orientation of the buildings, but I cannot agree that removing almost all of the well-built brick townhouses for wood townhouses and making most “market rent” will help anyone but those developers. Regular people who have lived near and worked in the Quarter for generations will have to move away and many will look for jobs nearer to home. This destruction of  good housing without the addition of jobs and supportive social services is emblematic of the inequality that government’s actions now often represent.

Maybe this administration that has been busy helping developers can add some public transportation choices for those workers to be able to get to their homes that will now be further away.

And beyond that, the fact that families and friends that will be broken up, never to be able to live within their community again must be remembered.

“On weekends too, he occasionally passes through the complex, to say hi to a friend’s mother or simply reconnect to home.

“If my life is a game of tag, it’s my base,” he said.”

Iberville demolition marks end of an era  

1920s New Orleans video and music

Sent to me on this rainy morning by my French Quarter friend, Jonny:

Sweets available: Croissants in the middle or donuts at the corner

the thing about the Quarter is you can’t always tell from the entrance how a place is going to turn out. Some of the nicest facades are those that any local or foodie would be aghast when tasting their food and some of the worst looking places are mainstays for those same folks.
One of the exceptions to that nice front rule is the little pâtisserie on Ursuline, Croissant d’Or. Located on the site of the legendary Angelo Brocato’s original gelato home, it has a lovely vibe even with the small ebbs and flows in their quality over the last few owners.
The latest folks (who are quite nice which is a welcome change from previous counter people) are bringing things back and their baguettes, their napoleons and their croissants are worth the trek. Unfortunately, because of people like me writing about them, lots of tourists do descend on the place around 8 am in the high seasons, but it is still possible to find a seat or at least grab a baked good to go almost all of the time. The best thing is to sit there and read your paper, work a bit (Guess where I am writing this?) or to slowly prepare for the day in a lovely setting with hot coffee in front of you.

breakfast at Croissant d'Or at historic Angelo Brocato's site.

breakfast at Croissant d’Or at historic Angelo Brocato’s site.

The other place is Juicy G’s and is the opposite in facade and in location: it’s a donut shop on Iberville right off N. Rampart. It’s a bit hard to find (look for his board out front) and sits next to a bunch of empty storefronts. But, like any true New Orleans place, inside you find warm people and heavenly smells. The young baker Gregory earned his cooking stripes working at many places headed by the infamous family restauranteurs often in the news lately, although not at the one Brennan’s on Royal currently padlocked!

G’s idea and hope are simple: make good food for workers, students and visitors without making them shell out the big bucks. I hope that his place is the start to rejuvenating Iberville and bringing back Creole and African-American entrepreneurs to the Quarter. His donut holes are very tasty and his lunch plates are filling and flavorful-when he has those. He slows down in production a bit in the summer of course, but you can find him open early for hot morning comfort.

Here is my original post on this place:
Juicy G’s