Public Markets in New Orleans

Just like the French Quarter itself, the style of the public markets in New Orleans has more to do with the Spanish and American eras than the French. In 1763, when the Spanish gained the tiny French colony, the population of New Orleans was only around 3,500 and no permanent market building yet existed, although open-air commerce had long operated at the river. In 1791, the city’s Spanish administrators built a market at present-day Decatur and Saint Ann, after first attempting one at the corner of Chartres and Dumaine. The Halle des Boucheries  –  the Meat Market – erected in 1813 still exists (where the market’s longest tenant,  Café du Monde has operated since 1862), accompanied for a few decades by architect Henry Benjamin Latrobe’s water works and by market buildings built in the years 1822-1872.

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A 1819 architectural rendering depicting the design of a pier to cover the suction pipe of the pump for supplying water to the City of New Orleans by Benjamin Latrobe who helped design the US Capitol and is considered the father of American professional architecture.  Sadly, Latrobe died of yellow fever while building this system.

This area stretching along the river at the “back” of the Quarter became known as the French Market in the 19th century, undergoing a renovation in the 1930s thanks to the New Deal, again in the 1970s and in 2005/ 2006, each renovation further erasing more of the original building layout and any visible reminders of their use. Luckily, the number of descriptions devoted to the market by visiting dignitaries still combine for a detailed and lively view. Latrobe wrote in his journal in 1819:

“Along the levee, as far as the eye could reach to the West and to the market house to the East were ranged two rows of market people, some having stalls or tables with a tilt or awning of canvass, or a parcel of Palmetto leaves. The articles to be sold were not more various than the sellers … I cannot suppose that my eye took in less than 500 sellers and buyers, all of whom appeared to strain their voices, to exceed each other in loudness….”

And another in 1874:

“New Orleans’ French Market had more tropical merchandise, including bananas, pineapples, coconuts, oranges, and limes as well as an amazing variety of shellfish, including crab, lobster, shrimps, and “enormous oysters, many of which it would certainly be of necessity to cut up into four mouthfuls, before eating,” reported Charles Dickens in All the Year Round.

Since that first market, another 33 were to join it by the 1940s. This gave New Orleans the largest market system in the U.S., with only Baltimore as a serious competitor, according to author Helen Tangires in her landmark book “Public Markets and Civic Culture in Nineteenth-Century America.”[1] The list of the city’s markets is a history and geography lesson of its neighborhoods and civic leaders: St. Mary, Poydras, Washington, Carrollton, Ninth Street, Soraparu, Magazine, Dryades, Claiborne, Treme, St. Bernard, French, Port, Jefferson, Second Street, Keller, LeBreton, St. Roch, St. John, Ewing, Prytania, Mehle, Memory, Suburban, Rocheblave, Maestri, Delamore, McCue, Lautenschlaeger, Zengel, Guillotte, Doullut, Behrman and Foto. Local market historian Sally K. Reeves [2] wrote, “ These well-dispersed centers of food and society played an essential role in the city’s cultural, economic and political life. They also generated their share of crime, grafts, rule defiance and contract disputes.”

Only some of these buildings remain (around 15 as of 2005) with only two still operating as city-owned public market buildings: the French Market and the St. Roch Market, both down river of Canal Street, and only a few blocks from each other. The St. Roch Market escaped the auction block in the 1930s through neighborhood pressure and was recently reborn as a controversial food hall after Hurricane Katrina. Before 2005, it spent  decades under private, half-hearted use that closed off most of the building to use. Besides those two, the only other that operates in some manner close to its beginnings is what had been the St. Bernard Market and is now a grocery store known as Circle Food, also only a few blocks from the others. Walking through its colonnade, one notes its practical market design and appreciates the superb retail location at the intersection of Claiborne and Saint Bernard Avenues. This store serves the 6th, 7th and 8th ward Creole community primarily, but also shoppers across the region looking for foods known to New Orleans families of every ethnicity. From the current Circle Food site: “coons, rabbits, pig ears & lips, turkey necks & wings, ham hocks, chicken feet, cow tongue, lunch tongue, beef kidney, oxtails, and special fresh cuts of veal including veal seven steaks.”

In her 2005 University of New Orleans thesis on food and markets, researcher Nicole Taylor traced each remaining public market building in the city and its current use. Some of the buildings have even retained their WPA-era plaque to remind passersby of its market history.

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LAUTENSCHLAEGER MARKET  Photo: John W. Murphey © Creative Commons BY-NC-ND

She noted in her analysis, “The changing values in American planning and development did affect New Orleans, only more slowly. The Depression years brought change in New Orleans with some large projects conducted by the WPA, but the markets were not replaced, only renovated. While the rest of the country was beginning to demolish old neighborhoods and replace the old homes and storefront businesses with modern buildings, high rises and highway systems in the name of progress, New Orleans’ operation of municipal public markets continued[3].

Finally, the 20th century collapse of the public market system in the U.S. assisted by the emergence of refrigeration and the supermarket came to New Orleans and the city began to sell off its magnificent markets, leaving its vendors to an uncertain fate. Many set up permanent stores nearby,  with some even continuing their original business to this day. But not until the modern farmers market revival arrived in New Orleans in 1995 with the first open-air Crescent City Farmers Market did significant numbers of farmers, fishers and foragers begin to trickle back from outlying parishes to once again sell their goods. The CCFM organizers even spirited away the last few farmers still selling at the old French Market, leaving New Orleans’ original market only suitable for tourists. In 2003 however, CCFM arranged for the return of farmers to the French Market by offering a regular Wednesday market in the 1930s-era Farmers’ Market shed. The French Market Corporation, the private/public corporation that has formally managed the market district for the city since the early 1930s, also began to search for other artisanal entrepreneurs to operate permanent stalls on either side of the aisle. The effort has not been entirely successful in luring locals back but it is important to note that besides the farmers market on Wednesdays, the French Market now includes a local artists co-op, respected  cooperative and healthy  cafes, a thriving artist colony around Jackson Square, a cooking demonstration stage and regular cultural events on site.

The upshot is that unlike most other American cities, New Orleanians can participate in the same public market tasks as previous generations, including at the same spaces used for that activity since the city was new.

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The 1878 Hardee map of New Orleans, showing many of the markets.

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A pic that historian Richard Campanella posted of a 1930s renovation design idea of the St. Roch market that was never used.

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The interior of St. Roch Market after the WPA renovation

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Photographer Roy Guste shot the inside of the St. Roch as the city began to renovate it in 2012.

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The Saturday Crescent City Farmers Market in its new location as of October 2016. It spent exactly 21 years at the corner of Magazine and Girod before moving to Julia and Carondelet. These open-air markets only allow producers and harvesters to sell directly; no resellers allowed.

[1] Baltimore and London: Johns Hopkins University Press, 2003

[2] Author of “Making Groceries: A History of New Orleans Markets.” Louisiana Cultural Vistas 18, no3. Also author of upcoming book on New Orleans public market system.

[3] Taylor, Nicole, “The Public Market System of New Orleans: Food Deserts, Food Security, and Food Politics” (2005). University of New Orleans Theses and Dissertations. Paper 250.

2016 French Quarter & Treme Holiday Concerts and Jackson Square Caroling deets

Caroling Sunday, December 18 Jackson Square
Sponsored by Patio Planters since 1946

Candles and song sheets provided. Gates open at 6:30 pm and Caroling begins promptly at 7pm. Free and open to the public.

St. Louis Cathedral Concerts
The St. Louis Cathedral concerts, produced by French Quarter Festivals, Inc. as part of Christmas New Orleans Style, generally run for an hour, from 6:00 to 7:00 p.m. The concerts are open to the public and donations are welcome to help fund the cost of the series.
November 17, 2016 (6:30PM) The Jones Sisters (Gospel)
November 20, 2016 Jean-Baptiste Monnot (Classical)
December 1, 2016 Joe Lastie’s Family Gospel (Gospel)
December 4, 2016 Charmaine Neville (Jazz/R & B)
December 5, 2016 Rachel Van Voorhees (Harp/Classical)
December 6, 2016 Sunpie and the Louisiana Sunspots (Zydeco)
December 8, 2016 Greater St. Stephen Mass (Choir Gospel)
December 11, 2016 Tim Laughlin (Jazz)
December 12, 2016 Alexis & the Samurai w/ Guests (Pop/Folk)
December 13, 2016 Irma Thomas Sings Gospel (Gospel)
December 14, 2016 Tony Green and Gypsy Jazz (Gypsy Jazz)
December 15, 2016 Christmas Organ Spectacular w/ Emmanuel Arakélian (Classical)
December 18, 2016 (5:30) St. Louis Cathedral Annual Concert

St. Augustine Catholic Church Concerts
St Augustine is the oldest African-American Catholic church in the United States and is located at 1210 Gov. Nicholls Street in the historic Treme neighborhood. Free secure parking is available in the church’s parking lot – enter from Henriette Delille Street.

The St. Augustine Church holiday concerts, produced by French Quarter Festivals, Inc. as part of Christmas New Orleans Style, run for an hour, from 4:00 to 5:00 p.m. The concerts are free and open to the public and donations are welcome to help fund the cost of the series.
December 3, 2016 James Andrews(Jazz)
December 10, 2016 Shades of Praise (Gospel)
December 17, 2016 Original Tuxedo Jazz Band

Macaroni Factory

There are some eras of the French Quarter that are better understood than others. The 16-month history of the city under the Confederacy is beloved by many for example (likely for more divisive reasons), or how we dote on the later French Republic era versus the chaotic, earlier French colonial era. The Sicilian era is certainly well-loved but it lacks formal sites or places to stop and view its history. Yet Sicilians have had such an enormous impact on New Orleans, including the growth of truck vending, food production, corner store proliferation and attention to certain saints holidays.

This article is a lovely account of one such family history in the French Quarter.

Source: A skeptic finds her family’s roots in an old macaroni factory

WATCHING PEOPLE MOURN AN AMERICA THAT NEVER WAS

I found this one of the best things I’ve read. Part of that is because it reminds me of the truth in the fractured, violent and yet sweet place that I call home. It reminds me that we can all show up for the Saints games, but not all of us get to hang out in the fancy bars afterward without sidelong glances being thrown. That Mardi Gras is a street thing, but some of those krewes are locked up tight.  Or, that job we disdain or the apartment we moan about is not open to anyone and everyone. And the other part of it is that Ruffin writes simply and poignantly and with fire in his veins.

 

We would have laughed in the face of your naïveté if we didn’t like you so much. It was sweet the way your eyes widened as your understanding of what we saw in our everyday lives played across your face. You were dismayed that your own blood didn’t care about the lofty constitutional precepts of justice and the pursuit of happiness for all. Your recognition of our separateness saddened us. It was like watching a child learn the truth about Santa Claus.

 

Maurice Ruffin’s piece

New Orleans fiction submissions encouraged

OPEN CALL FOR SUBMISSIONS! SPREAD THE WORD!

 

Crescent City Books is pleased to announce our new imprint, CCB. We (with sister store Commonwealth Books) have published a decade’s worth of acclaimed international poetry. We’re now venturing into prose, specifically that set in New Orleans. Not “Southern lit” or folky fiction, but the dual lens of a microscope on New Orleans and a telescope on the rest of the world. We’re looking for fresh style and voice.
Completed novels (again, only those set in New Orleans) may be submitted to ccbsubmissions@gmail.com Body of email should include query/brief bio/1st chapter. Word file or PDF of entire novel should be attached.

Connect.the.dots.

I’m sorely disappointed in how many French Quarter/CBD business and property owners have outlawed bike parking on their gallery poles and are now threatening to cut or pour glue in locks that do park there. This is an assault on those of us who do our best to not over use heavy vehicles that damage those same buildings, as well as those who travel to the Qtr to work at low-paying jobs in service to all of us. Many riders start or finish their work day while most of us are in bed and then are being forced to walk blocks to find a safe place to lock their bicycle, further endangering their safety. Isn’t it better to have constant “eyes on the street” than a bike-free post for someone else to leave their discarded go cup balanced on or to pee against? What’s more is that few of those who have outlawed parking at their building do anything to get more racks or try to find ways to share the streets with us. And many of those here who have needlessly declared war on their human-powered neighbors are tsk-tsking over the actions of the government against DAPL protesters – how will we actually have a future that requires less of these actions you ask? Well, maybe by encouraging walkable/bikeable streets and using public transportation when necessary. I am very saddened by this turn of events among my neighbors.  And no, I do not need nor will allow any bashing of bicyclists here. Of course there are those among us who don’t move their bikes every 10 hours (so precious eyes don’t have to look upon someone else’s property touching theirs) or who ride in such a way as to make it harder for others, but the majority of us who do our best to be fair and careful are the ones who really suffer with these punitive actions. Design your actions in that direction instead. 

Celebrate the birthday of the Baroness Pontalba

How funny- Maybe I should ask the Baroness a few questions since I am researching the commercial history of Jackson Square and of the Pontalbas. (And I wonder if the Grand Duchess will come back in town for this?)

 

At the Upper Pontalba Building, Jackson Square
THURSDAY, November 3th 5-7 p.m. 500 block of St. Peter Street
Meet the Baroness—Shop—Eat Cake—Enjoy Opera

A Celebration of the Life of Micaela Leonarda Antonia Almonester y Rojas, Baroness de Pontalba (Born: November 6, 1795, New Orleans, LA; Died: April 20, 1874, Paris, France). The Baroness Pontalba is the namesake of and responsible for the design, development, and construction of the Pontalba buildings on Jackson Square, the oldest continually rented apartment buildings in the United States. The Upper Pontalba Building is managed by the French Market Corporation and is part of the French Market District.

***Spend $25 in one of the participating Shops at the Upper Pontalba on Saint Peter Street and get a raffle ticket to win items from the Shops at the Upper Pontalba! You must be present to win. Raffles will be at 5:30 p.m., 6:15 p.m. and 6:45 p.m. **

Event Schedule:

Enjoy extended shop hours, retail specials, live opera, historical characters in costume, and a chance to meet Dr. Christina Vella, the author of the definitive biography of the Baroness Pontalba, “INTIMATE ENEMIES”
Signed Paperback copies of the book will be for sale at Muse at 532 St. Peter Street throughout the evening
5:00-7:00 p.m. Louisiana History Alive presents The Baroness Pontalba in person!
5:30 p.m. Raffle #1. Spend $25 in one of the participating Shops at the Upper Pontalba on Saint Peter Street and get a raffle ticket to win items from the Shops at the Upper Pontalba! You must be present to win.
6:15 p.m. Raffle #2!
5:45-6:30 p.m. New Orleans Opera Association performs from a balcony above the Shops at the Upper Pontalba
6:00-7:00 p.m. Book signing by Christina Vella, author of Intimate Enemies: The Two Worlds of Baroness de Pontalba
6:30 p.m. Happy Birthday, Baroness! Join us in singing Happy Birthday and sharing cake
6:45 p.m. Raffle #3! Spend $25 in one of the participating Shops at the Upper Pontalba on Saint Peter Street and get a raffle ticket to win items from the Shops at the Upper Pontalba! You must be present to win.