Study of a Friday morning

Royal Street at Esplanade.
The camera zooms in to a helmeted female, leisurely biking alongside of the parked cars. Weaving figure 8s, she squints up at the sun and nods to a few people on either sidewalk. We see her:
catch sight of the wisteria blooming on Royal in the Princess of Monaco courtyard. She pulls up on the sidewalk under it and stops to admire it.

Early morning wisteria at Cafe Amelie on Royal

After breakfast at Royal Blend, she takes a middle seat inside the Historic New Orleans Collection for the first Master Class of the year at the Tennessee Williams Literary Festival. At its end, she is overheard saying to an acquaintance that it was more of a panel than a class. No matter. Still useful she says firmly, 2-3 new tidbits of information. She walks politely but quickly ahead of the more mature part of the crowd through the carriageway, into the sunlight and on to the street itself.

Tennessee Williams Literary Festival-Friday Master Class at HNOC

She cuts diagonally down Royal and again diagonally across Toulouse and spies the open door at Kitchen Witch Cook Books. She stops to chat about the Festival with its owners, neighbors and friends of hers. The couple are perennial TWiLFers as well. Lively talk among the 3 for a few minutes, then the female half of the couple kisses the male half goodbye and walks quickly to the corner of Decatur with lunch in hand.The man continues to talk to our heroine (arms folded, scrunched down a bit to be at eye level with her), while the cookbook dogs settle in for a long nap on the floor. On the way out she admires the mix of everything.

Kitchen Witch Cookbooks

A few zigzags across the French Quarter over the next few hours with some writing in a notebook and some chat. At 1 p.m. more or less, she walks to Jackson Square, past table-waiting couples giving their names to a white-shirted waiter and goes directly to the counter inside Stanley’s. She orders quickly and assuredly: small gumbo with potato salad, Italian soda with pomegranate. On either side of her, people watch her settle in. She notices them and engages both sides in conversation: first, on her right-a couple from California, married at the river last Friday. Long time visitors to the city. She thinks to herself it sounds like the woman married the city rather than the man.
Next, at her left is a Colorado couple in for “March Madness” which sounds odd to her ears. All discuss New Orleans, and interestingly both women ask our heroine what “she does”. She answers politely but does not ask them what they do. Instead she asks them what they want to do while here and offers suggestions.

The gumbo with potato salad, and the eggs benedict poboy

The waiter asks her if she likes the gumbo. She wonders why.

Clean plate at Stanley's

Book bag now in the basket, she swings a leg over her bicycle as it begins to roll down Chartres. The camera pans over the entire Square, which is seen with activity and life and music in every corner; at the end of the shot, she and her bicycle are indistinguishable from the rest.
The End. No credits.

Half Off Entry Fee to the CitySolve Urban Race

Well that would explain those crazy people I see from time to time, sprinting and or skipping while yelling “it’s here!” (Alas, I thought it was over my cheap drink map…)

Movies, 3

The Historic New Orleans Collection presents three screenings in conjunction with the exhibition Drawn to Life: Al Hirschfeld and the Theater of Tennessee Williams.

Sunday, March 13, 2 p.m.
The Line King: The Al Hirschfeld Story
An Academy Award-nominated documentary by Susan Warms Dryfoos, The Line King celebrates Hirschfeld’s many years of work for the New York Times, where his drawings were a centerpiece of the Sunday Arts section. With appearances by Lauren Bacall, Robert Goulet, and many others, The Line King is a fascinating portrait of the artist as a cultural icon. (1996; 86 minutes; not rated)
The exhibition will be open 12:30–4:30 p.m.

Sunday, March 20, 2 p.m.
The Fugitive Kind
Sidney Lumet’s stirring drama The Fugitive Kind (based on Tennessee Williams’s play Orpheus Descending) features Marlon Brando as a drifter who wanders into a small town in Mississippi and falls into a tragic love affair. Following the screening, Mark Cave, curator of manuscripts/oral historian at The Collection and co-curator of Drawn to Life, will discuss the film and the display. (1960; 120 minutes; not rated)
The exhibition will be open 12:30–4:30 p.m.

Tuesday, March 22, 6:30 p.m.
Journalist and anchor Eric Paulsen’s 1981 interview with Tennessee Williams
Noted news anchor Eric Paulsen conducted the final in-depth broadcast interview with Tennessee Williams in 1981, roughly two years before the playwright’s death. After the screening, Paulsen will discuss the interview and take questions from the audience. (1981; 47 minutes; not rated)
The exhibition will be open 9:30 a.m.–8 p.m.