Study of a Friday morning

Royal Street at Esplanade.
The camera zooms in to a helmeted female, leisurely biking alongside of the parked cars. Weaving figure 8s, she squints up at the sun and nods to a few people on either sidewalk. We see her:
catch sight of the wisteria blooming on Royal in the Princess of Monaco courtyard. She pulls up on the sidewalk under it and stops to admire it.

Early morning wisteria at Cafe Amelie on Royal

After breakfast at Royal Blend, she takes a middle seat inside the Historic New Orleans Collection for the first Master Class of the year at the Tennessee Williams Literary Festival. At its end, she is overheard saying to an acquaintance that it was more of a panel than a class. No matter. Still useful she says firmly, 2-3 new tidbits of information. She walks politely but quickly ahead of the more mature part of the crowd through the carriageway, into the sunlight and on to the street itself.

Tennessee Williams Literary Festival-Friday Master Class at HNOC

She cuts diagonally down Royal and again diagonally across Toulouse and spies the open door at Kitchen Witch Cook Books. She stops to chat about the Festival with its owners, neighbors and friends of hers. The couple are perennial TWiLFers as well. Lively talk among the 3 for a few minutes, then the female half of the couple kisses the male half goodbye and walks quickly to the corner of Decatur with lunch in hand.The man continues to talk to our heroine (arms folded, scrunched down a bit to be at eye level with her), while the cookbook dogs settle in for a long nap on the floor. On the way out she admires the mix of everything.

Kitchen Witch Cookbooks

A few zigzags across the French Quarter over the next few hours with some writing in a notebook and some chat. At 1 p.m. more or less, she walks to Jackson Square, past table-waiting couples giving their names to a white-shirted waiter and goes directly to the counter inside Stanley’s. She orders quickly and assuredly: small gumbo with potato salad, Italian soda with pomegranate. On either side of her, people watch her settle in. She notices them and engages both sides in conversation: first, on her right-a couple from California, married at the river last Friday. Long time visitors to the city. She thinks to herself it sounds like the woman married the city rather than the man.
Next, at her left is a Colorado couple in for “March Madness” which sounds odd to her ears. All discuss New Orleans, and interestingly both women ask our heroine what “she does”. She answers politely but does not ask them what they do. Instead she asks them what they want to do while here and offers suggestions.

The gumbo with potato salad, and the eggs benedict poboy

The waiter asks her if she likes the gumbo. She wonders why.

Clean plate at Stanley's

Book bag now in the basket, she swings a leg over her bicycle as it begins to roll down Chartres. The camera pans over the entire Square, which is seen with activity and life and music in every corner; at the end of the shot, she and her bicycle are indistinguishable from the rest.
The End. No credits.

Tennessee in New Orleans

One of the most enjoyable weekends for the French Quarter is almost upon us. The Tennessee Williams Literary Festival is a treat for readers, writers, theater-goers, movie buffs, New Orleans historians, mint julep aficionados, good food and talk enthusiasts, and public spectacle lovers (see Stella and Stanley contest).
I have been attending and/or volunteering for over 10 years and find that I add 3-4 useful things to my brain every year, while also enjoying the camaraderie of being with artists of every stripe in one lovely, walkable area of the city.
The headquarters will be at the Royal Sonesta this year with events scattered throughout the old city as always. I am glad to see the Williams Research Center on the venue list; more people need to get through those doors to see their exhibits.
I think the best deal is the weekend literary panel pass, but this year I have added the Southern Rep’s world premiere of 3 one-act plays from Mr. Williams (introduced by Zoe Caldwell), and a master class on Friday morning. Take a sick day to get your artistic health renewed….
http://www.tennesseewilliams.net/

Just look at that face; How can you not want to find at least one thing to attend this year and/or to simply donate to support our brilliant arts community while honoring the legacy of our favorite adopted son?

Festivals-How the Grand Duchess would fix this.

Went to the Fiesta Latino yesterday at the Mint. Totally uneven attendance from side to side and vendors with items to sell were without customers. Food vendors were kicking ass, but no one else was (from what I could see).
As a result of this mess, I have consulted my good friend the Grand Duchess of the Vieux Carre. She told me long ago that she took the title of Grand Duchess out of respect to the queens already ruling their small nations around her, not daring to try to rule as a Queen in her own right- too many pretenders to the throne there.

After deep listening, insightful questions and careful thought (while sitting in her courtyard among her fig trees, and many, many cats) here is what she has imparted to me that she would decree. She has also asked me to tell the “officials” (she is not sure who that is but assumed I was aware of how to contact them) that the paid staff of the city would do well to enact her decrees if they wanted to maintain her good support and provide for her citizens.
Festivals are to be on Sunday (and maybe Monday if a second day is necessary) and not on Saturday.
Not that we, Grand Duchess, HAVE to explain.
However, we explain thusly:
Saturday is already a fabulous walking and visiting day for the FQ. No need to embellish.
And Monday is the slowest day- some locals can take the day to see the festival on a quieter day or come in the afternoon. Some tourists are still in town, they can go to it then. Everyone does not work 9-5 Monday to Friday. It’s crazy but it will probably work.

Start all festivals at 12 noon, run them til 7 pm.
We explain thusly:
If everyone knew exactly when they started and ended, everyone could tell others when asked or know what to plan for each and every time. Ask yourself how JazzFest continues to work with such a complex schedule. Because you know when it starts, when it ends and how each stage works.

All festivals will be held either on the Riverfront (with 2-5 music stages) or at the Mint (with 1 stage only on the Esplanade side) or on closed Bourbon and Royal streets with 2-5 music stages carefully set in areas that can handle the noise and crowds-300 block of Bourbon in front of Royal Sonesta, 500 block of Bourbon (it’s quite wide and stages could be on the hotel side), 400 block of Royal (on Supreme Court side), 700 block of Royal (in front of A&P/Rouse’s), and in alleys of Jackson Square on Royal side. Or on Royal anywhere after 7 pm.
We explain thusly:
We do not want to crowd out the stores and businesses that need access to their front doors and to be able to hear and move about. The point of the festival is to draw people to this area to shop.

The festivals will not have alcoholic drinks to sell, EXCEPT on Riverfront and then only beer.
We explain thusly:
Drink sales are to the bars of the French Quarter what milk is to a baby. Necessary and nourishing.

All vendors of said festivals will be operating primarily as businesses within the state of Louisiana.
We explain thusly:
Regional businesses will start to come to the city to vend and then maybe open shops or add products. This will help our city and our region, reducing the amount of division between outlying areas and the city. This is exactly what our fellow citizen Jane Jacobs taught us:
Cities are to provide resources to the outlying areas.

The festival organizers will provide a budget before and after to the vendors, the businesses surrounding the festival and post it publicly after the festival. What was spent and on what, what was made in income.
We explain thusly:
We all have to pay the piper sometime.

Vendors of said festivals will pay a percentage of sales to the festivals, not a flat fee. As it is the goal of the festival to build sales, the organizers make money when the vendors make money and do not when they do not. A simple small percentage will be paid and it will be done on an honor system. There will be mystery shoppers and tally takers who will be casually watching sales and making sure vendors keep a hashmark or receipt system. If anyone is suspected of supplying false numbers, they will not be invited to vend at any festival in the future. We will assist anyone with a receipt system if they are unsure of how to tally sales.
We explain thusly:
The vendors who truly want to sell an excellent product will work with this system. Those who come to sell crap or not account fairly, are not the type of artists that we want to work with in our festivals. It will benefit all.

There will be a revolving committee-artists, musicians, students of high schools, professionals (like lawyers, real estate you know leading citizen types that people every week of the society page), single moms, seniors, neighbors, non-profit organizers- of no less than 5 and no more than 11 advising the organizers. They will serve for 2 years and then cannot serve again for 6 years. They will receive free coupons for food and/or entry, a certificate given to them by the City of New Orleans and a dinner of their choice at any FQ restaurant at the end of their service. They must attend 80% of the meetings in person and volunteer 4 hours per year at one of the festivals.
We explain thusly:
Democracy is messy, chaotic and useful.

Staff of the festivals must be dressed with the official black and white of the classic waiter look and have a badge worn all of the times while on duty. The clothing particulars are left to grouo, but black pants or shorts with a spotless white top is necessary. We would also like to see an apron (or a lovely bow tie), but we will not decree this at this point.
We explain thusly:
This is the professional gear of the French Quarter. It is instantly recognizable and quite useful as a uniform.

All stages will either pass a locked tip jar (much like the baskets with arms passed in big churches) and/or designate an area to allow musicians to sell their cds directly or bring someone to sell them. If cds are to be sold directly, there will be a 30 minute gap between acts directly right of the stage that will be for cd sales. The musicians will be paid per person by doing a head count (done every 15 minutes and the largest one count taken) that they turn in (someone can do it for them if needed). Much like the vendors, they will be sporadically counted for veracity. Panoramic photos will be used by festival organizers when checking.
We explain thusly:
The door is usually the way that musicians are paid and since some work hard to get their people to the events, they should benefit. The tips and cd sales are all theirs too.

We do hope my laws are enacted fairly and clearly as they were intended.
Grand Duchess of the Vieux Carre (given verbally to her faithful friend, Dar Wolnik)*

*The territory of a grand duke is referred to as a grand duchy. The feminine form of grand duke is grand duchess.
Translations for grand duke include: in Latin, magnus dux; in Spanish, gran duque; in Russian, великий князь (velikiy kniaz); in German, Großherzog, Italian gran duca; in French, grand-duc; in Portuguese, grão-duque; in Finnish, suurherttua; in Polish, wielki książę; in Hungarian, nagyherceg; in Swedish, storhertig; in Dutch, groothertog; in Danish, storhertug; in Lithuanian, didysis kunigaikštis; in Czech velkovévoda or velkokníže.

A duchy, is never referred to as a dukedom, is a territory, fief, or domain ruled by a duke or duchess.
Some duchies were sovereign in areas that would become unified realms only during the Modern era (such as Germany and Italy). In contrast, others were subordinate districts of those kingdoms that unified either partially or completely during the Medieval era (such as England, France, and Spain).

Event calendar for November

Kermit Ruffins “Happy Talk” Record Release Party
Saturday, November 6th
Where: Peaches Records, 408 N. Peters
When: 11:00 a.m.
for more information call 504.282.2232

Book signing & presentation with photographer A.J. Meek
Saturday, November 6th
Where: The Historic New Orleans Collection, Counting House 533 Royal
When: 2 – 3:30 p.m.
click here for more information

Paul Goussot Organ Concert
Sunday, November 7th
Where: St. Louis Cathedral

When:6 p.m.
free and open to the public, click here for more information

Saints Super Fan 2011 Calendar Signing Party

benefitting Friends of the Fishermen Fund
Tuesday, November 9th
Where: The Hotel Monteleone, Carousel Bar
When: 5:30 – 7 p.m.
click here for more details

Book Signings and Presentations by Richard Campanella & Oliver A. Houk
Tuesday, November 9th
Where: The Historic New Orleans Collection, Counting House 533 Royal
When: 6:30 – 8 p.m.
click here for more information

Betting 101 Luncheon with Fair Grounds & Fleur de Paris
Thursday, November 11th
Where: The Hotel Monteleone
When: 12 – 2 p.m.
click here to make reservations

Patio Planters’ Annual White Elephant Sale & Auction
Saturday, November 13th
Where: at the corner of Royal and St. Philip Streets in the French Quarter
When: 10 a.m. – 4 p.m.
click here for details

2nd Annual NOLA Bike Bash ~ French Quarter Adventure Race

Saturday, November 13th

Where: Starts at City Park Avenue

When: 10 a.m.

click here for registration details

Weddings In Style Bridal Show
November 14, 2010
Where:Omni Royal Orleans Hotel 621 St. Louis
When: 2 – 5 p.m.

click here for tickets and more information

Philosophy Cafe
Monday, November 15th
Where: Inn on Bourbon
When: 7:30 p.m.
click here for more information

French Market’s Christmas Tree Lighting
Thursday, November 18th
Where: Washington Artillery Park (Decatur Across from Jackson Square)
When: 6 p.m.
click here for French Market events listing

Concerts in the Courtyard with Paul Sanchez & NOLA Brewing Co.
Friday, November 19th
Where: The Historic New Orleans Collection, 533 Royal
When: 6 – 8 p.m.
click here for more information

Tuba, Tuba, Tuba! French Market’s Annual Tribute to Tuba Fats
Friday, November 26th
Where: French Market
When: 1 – 8 p.m.

All on Labor Day weekend


These 2 pictures may be the best way to explain downtown culture. First, one of the venerable second lines Black Men of Labor holding their traditional Labor Day event on St. Claude to North Rampart’s Louis Armstrong Park and back. It marks not only the importance of the virtue of the working man, but also starts the second line season. Started in 1993, this Social Aid and Pleasure club holds tradition dear.
http://www.thebmol.org/site/

The traditions of Southern Decadence weekend are as far removed from BMOL as can be and yet as close as the shared idea of public space reclamation of what the city government (read America) would see as another “outsider” class.

The Southern Decadence Parade is held the same day as BMOL one or two blocks over in the heart of the gay French Quarter area. Southern Decadence history dates back to the early 1970s (when the motley parade started at now-only-a-memory Matassa’s Bar on St. Phillip) and has moved and morphed into a huge weekend for visitors who want to celebrate gay culture and show the buying power of inclusion.
Another moment to show the intersection of vibrancy and diversity in the French Quarter area.